February 10th, 2011 by admin

Two years ago some Chinese friends of mine took me to NTDTV’s (New Tang Dynasty TV) live Chinese New Year Spectacular. It was a thrilling and enchanting music and dance performance, with traditional Chinese instruments and costumes faithfully recreated from old manuscripts, paintings and pottery. The dragons, drums and dancers all evoked the grandeur of China’s great dynasties and legends of remote history.

Ancient Chinese traditions speak of harmony between heaven and earth. They say that humans were created by Gods. Culture as well as moral and spiritual guidance were also imparted to humans by divine beings during different times in history. When humans respect the Tao, the “Divine Law or Way” and follow Heaven’s order, society will be prosperous and peaceful.

Like most Westerners I knew next to nothing about the Chinese New Year. So I asked my friends to tell me more and share their favorite New Year’s memories. I learned that Chinese New Year is actually celebrated by almost a quarter of the world’s population in several Asian countries where it is the most important holiday of the year. It follows the Lunar calendar, and the date varies each year, depending on the moon’s cycle.

Several friends shared about fire works and favorite foods–dumplings were often mentioned–and various traditions. One is to write poems or lucky phrases on red paper to be pasted around every family’s door. After breakfast there would be a round of visits. The first stop would be at a local temple to burn incense and honor the gods. Next came visits to relatives and friends. In many towns musicians paraded through streets to announce the arrival of spring.
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August 14th, 2010 by admin

People collect antiques for many different reasons and therefore have many different views.

1. Some people collect antiques because they hold sentimental value. For example, I own a ceramic parrot that had been given to me by my grandparents, a cupboard from my other grandparents and a very old doll that had been given to me by my great aunt.

2. My in-laws once owned an antique business which they set up for sales and auctions. Their basement was always filled with a treasure trove of fascinating and interesting items. They could tell you the worth of any item in the basement. They loved restoring old pieces, not so much so that they could sell it for more but simply because they gained satisfaction from doing so.

3. My son enjoys collecting antique games and old books and even collects them. One of his favorite antiques are the tiddly winks games which he has collected from all over the world.

4. Antique lovers enjoy the chase more than anything. They enjoy searching through stores and antique shops all over the country searching for that specific or unusual item they been looking for.

5. Some people look for antiques as simply a hobby but they very seldom buy anything. They simply enjoy looking at what different areas of the country have the offer. It can be a lot of fun searching through antique stores.
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June 8th, 2010 by admin

A new musical fusion has arisen in New York and it’s not the kind you can catch for ten dollars at a club in the West Village. For the many thousands of Chinese immigrants trying to stay afloat in a new world and for those westerners who have always wanted to understand the Chinese but have shied away for lack of a way in–for anyone who has wondered where the two civilizations connect, the answer may lie not in words, but in music.

Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor. Now, as one of the lead composers for New Tang Dynasty Television’s Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound–based on ancient Chinese folk and religious music, but going beyond either of them.

“Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a ‘live note,’” she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.

But the melodies are far from random. Lisa’s music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.
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June 1st, 2010 by admin

New Tang Dynasty Television’s Chinese New Year Spectacular offers a truly tantalizing variety of dance this year, featuring all-new dance troupes and drawing upon 5,000 years of history spanning a vast range of different folk traditions from Mongolia to Tibet to the Yunnan region of China.

Acclaimed choreographer Yung Yung Tsuai has been working with the Spectacular since its inception in 2004. Ms. Tsuai came to the United States in 1970 to study contemporary dance on a Martha Graham Scholarship. She stayed on with the Graham Company and still teaches at the Martha Graham School of contemporary dance today.

Ms. Tsuai says the Spectacular is a particularly meaningful production for a lot of people because “over the last 100 years, much of China’s rich traditional culture has been destroyed. People have lost their roots,” Ms. Tsuai says. “Our performers want wholeheartedly to convey their culture and traditions to the audience to remind them, and themselves, of who the Chinese are.”

Hundreds of dancers from all over the United States and Canada rehearsed almost every day for over a year. Yung Yung Tsuai is but one of six dance teachers, all of whom graduated from China’s top dance schools, resulting in a combined total of more than a hundred years of training and experience. With so many expert teachers, Ms. Tsui says, “collaboration is a major part of the project.”
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