July 5th, 2011 by admin

I have been an artist for as long as I can remember. In fact, I remember my kindergarden teacher sending home notes to my parents telling them how much I excelled in all areas connected with art. She told them that I had great potential to be a wonderful artist. So it was only natural when I decided to attend university to study art and when I was hired by a magazine to run their art department. One of the most fascinating assignments I have had so far is to visit various tattoo shops in order to write a piece about tattoo art for our magazine.

I was a little bit hesitant to work on this project because my goal was to get a well rounded picture of what kinds of tattoo art are popular right now and to figure out the main reasons why people are rushing to get tattoo art on various places of their bodies. My main problem was that I had never really considered tattoos art. So I struggled over how I was supposed to write a piece about “tattoo art” when I didn’t agree that it was true art.

During the project my photographer and I spent time in ten different tattoo art shops. We interviewed each owner, several tattoo artists at each shop, and various customers at each place we went. My photographer did several formal and informal photo shoots to get enough photos of tattoo art for our piece. I was honestly amazed at what I discovered as I worked on this piece. I learned that tattoo art really is an art. I learned that it is much more detailed, intricate and sometimes beautiful than I ever expected it to be.
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May 24th, 2011 by admin

Dada was an Art movement with its peak in 1916-1920s. This movement was established as a position against the War, and particularly World War I. They saw all the negativity of the war. They also were against the Art. It was a protest against beauty, because Art didn’t save civilization from wars.
The members of that movement organized demonstrations, propagandas, wrote brochures, manifestos against the cruelty of war using ideas of Arthur Rimbaund in poetry, and critical ideas of Max Jacob (who later died in the Nazi concentration camp) and Guillaume Apollinaire. They established the new Journal where they wrote anti-war and anti-terror articles sometimes by using satire. Also the group made different absurd theatrical performances highly criticizing the first World War in Cabaret Voltaire . Tzara, one of the leader, of that group, wrote a lot of articles to different European newspapers, trying to emphasize the whole horror of war.
As Dada movement Surrealism was also under against terror thoughts about World War I . This was one of the predominant facts for both movements to create something irrational and surreal. Surrealism inherited pessimistic and revolutionary mood because of Dada movement . Dada’s main artistic idea was to make various activities and theories, instead of producing actual representational art. The follower of Dada came up with the ideas of irrationality, accidentalness. The “Law of Chances” created by both Jean Arp (he through the pieces of paper on the floor, and where the paper fell down, glue it to the background) and Marcel Duchamp . Dadaists made a lot of experiments by avoiding all kind of artistic laws and orders that were established by the masters in Art before them. Read the rest of this entry »

May 2nd, 2011 by admin

There is a huge market for art. Almost all people from any age or background will buy art and posters from time to time. By purchasing this art online consumers can save a lot of money over retail stores. Knowing all of this puts you in a great position to make a profit by directing consumer to this art without having to make a significant investment or carrying any overhead.

The key to making this possible is to take advantage of art affiliate programs offered by several websites. It doesn’t matter which program you decide to use the concept and steps to success are the same. In this guide I’ll walk you through every step of the process and demonstrate each step using our sample website, Tropical Art.

For those of you already familiar with how affiliate websites work, you can skip ahead to step one. For the rest of you I’ll briefly explain. By becoming an affiliate of an art website you agree to send customers to them, in exchange for earning a commission off the sale. There are several ways to do this, but the most common is by setting up your own website for your virtual art store. You allow visitors to browse the art selection you offer and when they wish to make a purchase you send them to the website you have affiliated with to check out. When you send the visitor to the affiliate manager’s website, the url includes a tracking id so that you get credit for the sale. You can visit the tropical art website above for an example of how this works. The percentage of commission you collect for this varies based on the program and how many sales you make, but it typically ranges from 10%-25% of the amount purchased. With art purchases it’s not unusual for a single visitor to purchase $100 or more in art so you can see how the sales can add up quickly.

Step 1 – Select an Affiliate Program

The first thing you need to do is select an affiliate program. The reason it is important to do this first is because it can take days or even weeks to receive approval of your acceptance back from these programs. By doing this step first it will not hold you up later on. Some of the affiliate programs require you to list your website before signing up, while with others it’s optional. If it’s required you can skip this step and come back to it.

There are several factors to look when choosing an affiliate program. Some questions you need to ask are: What percentage of commission will you be paid? How wide is the product selection? Will consumers feel safe providing their credit card information to this site?
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March 10th, 2011 by admin

The headline reads “Undiscovered master piece sells for millions at Auction”. The family was overjoyed to discover that a picture that had hung on their grandfather’s wall for years attracted a six figure price at auction. Grandson and heir said “The whole family knew he collected odds and ends but we never envisaged it would amount to anything.”

Ok the above is fiction, but it’s what’s at the back of the majority of collector’s minds, especially those who collect art. Buy it cheap and sell it for squillions. Just don’t rely on it as your retirement fund. In many respects it is a lottery, your betting your collection decision against that fickle beast, public opinion. The beauty of the art collecting lottery is you can hang the ticket on your wall. A win, win situation, your wall decorations are working for you and all your friends can admire your taste.

Now that can be scary, because 90 out of 100 people know damn all about art. If it isn’t chocolate box pretty it isn’t art, right. Wrong, have a look at the masters of art in your local museum or better still here on the internet and see how many pretty pictures you can find. Look at Picasso, Gauguin, Pollock, Matisse, Cezanne or Van Gogh to mention a few.

It’s Ok, I’ll wait.

Not much prettiness there. What is there is life, both the depiction of it and in the picture itself. There is an energy that radiates from art and if you allow it that energy will take you places you have never been before. But be prepared, it will confront you, it will challenge you, it is opinionated and isn’t afraid to speak its mind, it is prepared to stand up and be counted, it is art.
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February 15th, 2011 by admin

Asian-themed performances like NTDTV’s Chinese New Year Spectacular offer an entirely new experience for many Westerners, partly because they are so different from the more typical, narrative-driven, performing art forms. They ask something different from the audience – a slight shift in expectations, a shift in sensibility.

The appreciation for what is implied rather than what is in plain sight sets Asian art apart from Western art. Traditional Chinese dance, for example, is less precise and strict in form than its Western counterpart, ballet. It is because it attempts to evoke a different sort of feeling. Like a glass of claret with its subtle undertones, this kind of dance leaves room for the imagination while leaving a lasting impression.

The following story may help shed some light on the mystery:

Once there was an art dealer who had a painting that depicted a young farm boy leading a horse across a bridge. The boy was facing the horse, his body leaning back, and he looked like he was exerting great effort. One day a buyer came in and had to have this painting. However, he didn’t have enough money on him to buy this rather expensive artwork right away. So he asked the dealer to hold the painting for him while he went home to get the funds. As the seller took the painting down, he noticed it was missing the rope the boy should have been using to lead the horse. Without much thought, he picked up an ink brush and added a rope to fix this apparent flaw in the painting. When the buyer came back and saw the new rope, he was terribly upset. He told the dealer: “I was only willing to spend so much on this painting because of the rope that wasn’t seen but could still be felt!”
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December 20th, 2010 by admin

Consumers in search of that perfect piece of art often find themselves lost in a tangle of webs created by less than helpful gallery curators, bidding wars, and issues stemming from exhibit proximity and lack of time.

Shopping for accents to complement your home décor should be a pleasant experience, one which you look forward to and that expands your creativity.
While attending a gallery exhibition definitely has its benefits the hors d’oeuvres, conversation and cocktails the draw of the crowd can often be overwhelming.

We are not saying you need to succumb to the perils of dealing with large retail chains, which stock over-produced re-prints cased behind plastic frames. And purchasing your art in the same place you go to buy your milk is definitely out of the question. So, what do you do when you want designer décor but don’t want to leave the house to find it?

Buyoutsidethebox.com, an online art gallery, is an ideal solution for all of your creative needs. With a name like Buyoutsidethebox.com, you can expect a selection that you most likely wouldn’t find elsewhere. Ruth Mitchell, the creator of Buyoutsidethebox.com, traded in her career in magazine publishing in order to pursue a lifelong dream of owning her own art gallery.

However, Mitchell wasn’t one to sit behind a desk all day, pushing papers and dealing with the public. She felt her time would be better spent searching for innovative artists, new concepts, and artwork that ultimately represented something outside the box. Enlisting help from her business savvy daughter, Cecelia, Mitchell soon turned her dream into a reality.
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December 14th, 2010 by admin

You may be mistaken in thinking that buying a piece of abstract art would be a simple thing to do. You just select the work you want… and buy it!

The truth will creep up on you as soon as you look at the first painting “it is not quite the right one, so I will look for another”.

Here is the first realization – and question to ask yourself – why exactly is this piece you are looking at “not quite right”? The answer can be manifold:

1. It includes a colour I do not like
2. I am not sure it will go with another item in the space I would like to place it
3. A slow realization that a certain personal undesirable association is being emitted from the painting
4. It looks great but I am not sure it will fit the space
5. It is just right but the price is a little bit more than I wanted to pay… and the list goes on.

Although I do not have all the answers I will endeavour to reveal, from my own personal experiences, a few solutions.

So, you see a picture you like but the colour combination is wrong. Put simply the thing to do is to contact the artist and tell them your dilemma. You will find that some of them will either be able to reproduce a similar work in the colours you prefer, or they will be willing to notify you when and if they produce a work that might be nearer to the colours theat you require.

If size is an issue then I would advise the same as above – contact the artist and tell them the problem. I believe you will receive a similar reply to that which I have written above.

Make sure that when you do make a purchase that the artist is offering a return policy. I have a ten day return policy which means that if you buy a painting and hang it in your space – if within ten days of purchasing it you become uncomfortable with it for any reason and you cannot live with it, then you may return the piece and your money will be returned. An important point here worth mentioning is the fact that you have made certain decisions on buying this piece of work, therefore it is worthwhile mentioning it to the artist which will enable them, if they so inclined, to produce a work that has omitted the undesirable entity. This way you may well end up with a work that will be of greater value to you – having communicated your dilemma.
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September 8th, 2010 by admin

Visual artists biographies is a popular theme in the movie world. Moviemakers have always been fascinated by visual artists biographies, especially if it includes struggle with insanity, drug addiction or social conventions. In addition, it gives them an opportunity to depict original or resurrected artworks on the big screen.
Here you can read about some of the most interesting movies about visual artists biographies.
Lust for Life directed by Vincente Minnelli in 1952

Vincent Van Gogh biography had gained several cinematic adaptations. Lust for Life with Kirk Douglas as the struggling artist is one of the most notable. The movie is based on a best selling book by Irving Stone, who also authored The Agony and the Ecstasy about Michelangelo, which also had appeared on the silver screen.

If you are a fan of Van Gogh artwork, you would enjoy watching Last for Life, which features almost 200 of Van Goghs original paintings. However, if you are familiar with Kirk Douglas previous filmographic, seeing him as a tortured Dutch painter might take a little adjustment. Another recommended film about Van Gogh is Robert Altmans Vincent and Theo from 1990.

Surviving Picasso directed by James Ivory in 1996

Like Van Gogh, Pablo Picasso image made him an iconic figure outside the artistic circles. While Van Gogh symbolizes the self destructive, manic depressive artist who achieves success only after his death, Picasso represents the misanthropic and womanizer artist. Picasso infamous relationship with women is the focus of this Merchant and Ivory film. The story is told from the eyes of Picasso mistress Francoise Gilot and features only reproductions of Picasso works. With Anthony Hopkins talent and his physical resemblance to Picasso, Surviving Picasso manages to create an unflattering portrait of an artist as a cruel, self centered genius.

Girl with Pearl Earring directed by Peter Webber in 2003

Comparing to Van Gogh and Picasso, Vermeers biography is less known and less controversial. Therefore Girl with Pearl Earring is much more restrained and delicate. The movie focuses on a short period in Vermeers life in which he was painting the portrait of his young low class maid. Although Girl with Pearl Earring does not avoid filmic conventions by over dramatizing Vermeers painting process, the movie is worth watching if only for its artistic design, which success in evoking Vermeers perception of light and color.
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August 31st, 2010 by admin

Art theft is an ancient and complicated crime. When you look at the some of the most famous cases of art thefts in history, you see thoroughly planned operations that involve art dealers, art fakers, mobsters, ransoms, and millions of dollars. Here you can read about some of the most famous cases of art theft in the history.

The First Theft:
The first documented case of art theft was in 1473, when two panels of altarpiece of the Last Judgment by the Dutch painter Hans Memling were stolen. While the triptych was being transported by ship from the Netherlands to Florence, the ship was attacked by pirates who took it to the Gdansk cathedral in Poland. Nowadays, the piece is shown at the National Museum in Gdansk where it was recently moved from the Basilica of the Assumption.

The Most Famous Theft:
The most famous story of art theft involves one of the most famous paintings in the world and one of the most famous artists in history as a suspect. In the night of August 21, 1911, the Mona Lisa was stolen out of the Louver. Soon after, Pablo Picasso was arrested and questioned by the police, but was released quickly.

It took about two years until the mystery was solved by the Parisian police. It turned out that the 30×21 inch painting was taken by one of the museum employees by the name of Vincenzo Peruggia, who simply carried it hidden under his coat. Nevertheless, Peruggia did not work alone. The crime was carefully conducted by a notorious con man, Eduardo de Valfierno, who was sent by an art faker who intended to make copies and sell them as if they were the original painting.

While Yves Chaudron, the art faker, was busy creating copies for the famous masterpiece, Mona Lisa was still hidden at Peruggias apartment. After two years in which Peruggia did not hear from Chaudron, he tried to make the best out of his stolen good. Eventually, Peruggia was caught by the police while trying to sell the painting to an art dealer from Florence, Italy. The Mona Lisa was returned to the Louver in 1913.
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August 28th, 2010 by admin

You’re not in college anymore, and it’s time to take down the posters and replace them with original art. But, you don’t have the money yet for oils or watercolors. Art prints are an affordable alternative, yet they too can be pricey. How can you tell if that art print that’s caught your eye is more than just another pretty face?

Art prints are works of art in and of themselves, and may be handmade by artist-printmakers (artists’ prints), digitally printed (giclée), or photomechanical reproductions (offset lithographs).

Artists’ prints are handmade and are not reproductions of paintings: the print is a unique work of art. The term covers a range of printmaking techniques such as etching, woodcut, engraving, screenprint and linocut. Editions tend to be less than 200, partly because the materials used to make the prints wear out. This type of print is sometimes called an “original print.”

Limited edition reproductions are multiples copies of the same image, but produced in guaranteed limited numbers. This makes the image more exclusive. The market price can rise over time, if demand outstrips supply. Edition sizes vary but are limited by market forces, not by the physical constraints of the printmaking method. Most limited editions are signed and numbered in pencil by the artist with a commitment that no other reproduction of the image will be made.

An open-edition reproduction print can be produced in any quantity and the image may also be used in other ways, such as on tableware. Open editions tend to cost less than limited editions and are much less likely to increase in value.

Giclée prints are made using digital printing technology, usually inkjet. The technology enables users to produce small runs of prints. It also allows retailers to offer ‘print on demand’ services, where buyers select an image and it is printed out there and then.
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