June 30th, 2010 by admin
If you want to be an actor the first thing you have to understand is that everyone and their grandmother thinks they can act and wants to be an actor. The competition you will face will be monumental. With that in mind, here are some tips on what to do if you want to have a career as an actor.
For starters, you must understand that there is no one way to become a successful actor. Some very famous actors were discovered while doing other jobs and just happened to be in the right place at the right time. Yes, there is a lot of luck involved in this business. In addition to that luck you’ll need connections and a lot of determination. Here are a few ways to get your foot in the door.
Just about every town in the world has a small theater where they put on local amateur performances. Take advantage of this even if you’re really only interested in film or television. The truth is, acting is acting and it doesn’t change much just because you’re on a stage instead of in a film or television studio. Any practice that you get is only going to improve your chances of getting the gig that you’re looking for. Also, many agents and casting directors go to these small theaters looking for talent. There’s always the chance that they’re going to spot you.
Next there’s student films. If there is a college in your hometown, most likely they have a performing arts program with students involved in doing their own films. Film students are always on the lookout for talented actors to appear in their films. You could very well be just what they’re looking for. They probably won’t be able to pay you anything and the film itself will probably be pretty bad but it will be good experience for you. Just make sure you get a video tape of your performance and keep in touch with the student director. You never know where this might lead.
Read the rest of this entry »
June 28th, 2010 by admin
In regular theater an actor may prepare a monologue that he has spent many hours memorizing, for a part that he will also perform at every audition. He’s spent a lot of time on this and has perfected his art and delivery. When going for an audition he is quite comfortable with his prepared lines. However, in a film or commercial audition the actor is expected to perform a script given to him that he has never seen before. This is when the art of cold reading is very important and can be a life saver.
The technical definition of cold reading is the auditioning for a part with a script in hand, one the actor has never seen. The profession says that the actor is supposed to be given the script at least 24 hours before the audition but all too often this just doesn’t happen. This is why cold reading is so important to actors who work in film or commercials.
So, how do you learn to cold read? Brute force. Pick up a script, read the first line, commit it to memory and then say the line without looking at the script. You’ve just done your first cold reading. At first you may only be able to memorize a few words at a time, but with a little practice you’ll soon be memorizing several lines at a time. Being an actor is kind of like being an athlete. The more you work at it the better you’ll get. After you feel comfortable doing cold reading by yourself try it with another actor. This is when it gets fun.
When you’re at your audition it’s very tempting to try to sneak a peak at your next line while the other actor is doing his lines. Don’t do this. How you listen to your fellow actor is just as important as speaking your lines. Wait until it’s time for you to respond and then look at your next line. Memorize as much of your line as you can in a few seconds. Then make eye contact with your partner and say your next line.
Read the rest of this entry »
June 27th, 2010 by admin
The fact is, auditions are a nerve wracking experience for actors. They’d rather have their eyebrows plucked. Unfortunately, they’re an essential part of being an actor. So by following these steps you’ll have the best chance of getting the part.
In getting the audition in the first place, you or your agent are going to have to submit a photo and resume to the casting director. Sometimes you’ll get an open call where anybody can come down but these are the exception, not the rule. Most auditions are by invitation only.
If you are called for an audition you will usually be given what are called “sides” or a few pages of a script that you will have to read at the audition. In theater you may also be required to have some kind of monologue ready.
The first thing to do is read the script and prepare for the part. Find out everything you can about the character you’re going to be playing. The lines aren’t important yet. Just commit your focus to the character. How old, where from, how the character feels about other characters in the story. Only after you know everything you need to know about the character do you start learning your lines. Use whatever method you feel most comfortable with. You won’t be required to know the whole script at the audition but be prepared.
Before you go to the audition, dress for the part. Wear clothes that fit the character and the story. If you’re playing a cowboy don’t get dressed up in a business suit. You don’t have to go out and rent spurs but wear clothes that suggest the role. Jeans and boots for this role will do fine.
Read the rest of this entry »
June 26th, 2010 by admin
When you are just starting out with acrylic painting, you will most certainly make your share of mistakes. This is the natural process of painting and we all learn and grow from our mistakes. This article introduces some of the more common mistakes beginner acrylic painters make.
Mistake #1 to avoid: Not using enough variety in your painting. An interesting painting has variety. It creates curiosity and interest, and the viewer wants to return again to observe it. So how do you create an interesting painting? Use a variety of different brushstrokes, techniques and values in your paintings. Change the direction of your brushstrokes or mix different techniques in the same painting.
Mistake #2 to avoid: Being too technical or copying. In order to truly paint a subject, and when I say “truly”, I am not saying you should copy the subject exactly as you see it. I am referring to connecting to the painter inside and truly painting your own impression of what you see. This is how your inner creativity shines on the canvas. It is what set painters like Vincent van Gogh and Claude Monet apart from the rest. They each injected their own style and heart into their work. I believe your own unique creativity comes to the surface the moment you stop relying on the technicalities and theories associated with painting. I am not saying one shouldn’t study techniques and theory, but at some point we have to put that stuff on the back burner and let our creativity do some of the thinking. Whatever you do, don’t copy other artists. There is nothing wrong with allowing other artists to influence you, just make sure you allow your own unique style to come through.
Mistake #3 to avoid: Not observing your subjects. Do you spend time observing the subjects you feel inspired to paint? If you are a portrait artist, have you done any studying of the human anatomy? If you paint landscapes, do you spend enough time outdoors in that environment? If you aren’t spending enough time observing the subjects that you wish to paint, then you won’t know have enough knowledge to paint them.
Read the rest of this entry »
June 24th, 2010 by admin
Weight loss is perhaps the most talked topic of late. Its not only considered as a problem but medical science mark it as an epidemic. It’s a nutritional disorder that arises due to over consumption of fats then our body requires. The new diet pill Acomplia is generating great interest among the overweight patients on this pretext. Proven records are also available related to its success on obesity.
Apart for keeping a person free from excess weight, the diet pill Acomplia also helps a person in stopping his or her’s urges for smoking. In fact it’s a multifunctional diet pill and is very effective indeed.
According to studies, there are nerve receptors called CB1receptors that exist in the brain and fat cells. These receptors urge the body to overeat and smoke. Acomplia works by targeting the CBI receptors and blocking the body’s ability to receive signals that tells it to smoke or eat more. It helps to normalize the EndoCannabinoid System thus making hunger and cigarette cravings more manageable. This blocking of signals results in weight loss. It further improves the cardiovascular or metabolic risk factors in obese people and reduces their dependence on nicotine and helps them quit smoking.
Though, studies on the side-effects of Acomplia have been done, but are clinically proved to be tolerable and mild. Dizziness nausea, stomach upset, depression and sweating are a few to mention. Though reports of overdose haven’t been proved till date, but better to discard the practice, for it may be proved harmful sometimes.
Read the rest of this entry »
June 23rd, 2010 by admin
Psychic readers are often trivialized as fortune-tellers at the local fair. However, an effective psychic reader has the ability to address mental and emotional issues, such as pitfalls and bad relationships and how to deal with them; accurate counseling can help seekers address the core of the issue and make better progress in all aspects of their life.
However, doubts on a psychic reader’s credibility begin to crop up when a prediction goes awry. For instance, a psychic may predict that a major shift in the seeker’s relationship will occur in about a year. But when that year is up, and he finds himself in the same relationship, he tends to assume the prophecy was erroneous. Unfortunately, it is not so straightforward.
A psychic reader’s prophecy is not an engraving set in stone. Accuracy is very important in a psychic reading but, in every seeker’s individual life, free will is supreme. Psychic readers do not usually see an inflexible, predestined event. They see the patterns at work in the seeker’s life and how and when they are likely to manifest into certain events – IF his current momentum remains unchanged.
Read the rest of this entry »
June 22nd, 2010 by admin
Abstract art is not just a mixture of colourful meaningless patterns and arbitrary shapes.
There is, I believe, a definate therapeutic value to be found in most of the enigmatic marks made by the very different styles available today. What appears to be the most important decision to make is a very careful consideration of the specific audience in conjunction with the choosing of the appropriate artwork. This is not something to be taken lightly or quickly. This can cover anybody within the wide spectrum of individual audiences: a busy boardroom environment or a single office or room where quick thinking, fast reactions, and serious decision making is required; or a worker who returns from a hard days work simply wanting to be visually massaged by an easily observed enigma; or even the space inwhich the desperate and mostly misunderstood person who is gradually loosing their tentative hold on the sense of reality. There is a tremendous variety of possibilities.
Here are some suggested associations from one artists point of view:
Colour plays an obvious healing and therapeutic role to be found in a carefully selected crafted piece, and so colour-field work, which is growing in popularity, first conceived by artists like Mark Rothko and Ellsworth Kelly with their vast areas of empty colour space, might add a general feeling of peace and quiet to an otherwise noisy and hectic environment. With there being very few variations within such a large image a gentle sense of immersion into abstract stillness can slow down any fretful or irratic thinking, and even assist with the adrenal challenge of a creative.
Read the rest of this entry »
June 21st, 2010 by admin
It has been a long and raging arguement that the abstract expressionists of the 50′s, 60′s and 70′s were very busy contemplating their own navels and trying to find the “zen” in everything they did.
I would argue that they were in fact just one very important example of the hungry sleep-drugged soul seeking a way to be heard. However, many artsists of those times, and indeed today, would flatly deny anything remotely to do with spiritual things – or worse still – religious things.
Take, for instance, one of my favourites – Mark Rothko. This tragic artist committed himself to the task of producing massive canvases with many vaguely resembling the outline of a window – especially an after image once the eye has closed. His vast expanses of colour seemed to hunt out a corner or edge in a desperate attempt to complete, or conclude, the picture. Not satisfied with that he went on to give up titling his work saying that he did not want to influence the onlooker in any way. Ironically he failed … and sadly took his own life. For me his works speak of wonderful tantilizing clues visually demonstrating the struggling spirit seeking (and succeeding!) in revealing herself – now that is real influence! Let me explain by an apparently unrelated route:
I seek to assist my own spirit in attempting to make manifest even the tiniest, most pathetic, weakest fact that the spirit in us all is not only just trying to communicate with us – but is in fact actively seeking to set the whole human balance right … which is the spirit leading the mind and body back to her source – not the other way round – the mind and body leading the blinded soul to … well, eventually death.
Read the rest of this entry »
June 20th, 2010 by admin
I have always loved bright colors and movement, like dancing its healing, relaxing fulfilling and challenging as well. The bottom line is the feeling and message that I want to convey through the medium. When I paint, every attempt is to capture the feel of warmth, passion, joy and bliss in none objective or figurative composition. I enjoy experimentation of different media and subjects.
My subject varies based on my emotion and statement but my love for colors is constant. In spite of this, viewers see different forms or figures in my abstract expressions. The good thing about these expressions is the freedom of the viewers to see and appreciate the forms in their mind’s eyes, like face painting in the eye of the viewer. Its also important to mention that “Uli” which is my traditional art style has played a major role in my age long career. The symbols and forms of this art style are reflected in my cubism, abstract images, abstract relief sculpture, seascape, drawing, pastels and watercolor painting.
People see different forms or images in abstract art, the depth of what you actually see when you look at the paintings is partly based on individual exposure and understanding of art forms, color, shapes, line and texture; which are the physical elements that combine to make up the artworks.
A selection of different dark hues, shapes and forms may give various impressions to different minds; light, airy images as mystical; balanced, temperate forms as peaceful. Uli organic forms and shape are symbolical such as colors and forms have meaning in and of themselves. It is a simple truth that you can’t give what you don’t have. I am a believer and my work time is also a meditation time, which can go either way depending on the spiritual consciousness of the creative mind.
To me, my work section is an intimate moment between I, canvas and colors. At this creative moment there is a spiritual impartation from the artist to the Art. Hence the emotional reaction to these elements even if they create no recognizable object for us to hang onto.
Read the rest of this entry »
June 19th, 2010 by admin
Children’s birthday parties have become outrageous showcases of food, gifts, and entertainment that are costing parents more and more each year. Instead of focusing on the child, parents are striving more and more to “keep up with the Joneses” and put on fantastic displays that involve a great deal of time and money for the planning and execution of the party. Instead of worrying about booking venues packed with activities, consider throwing your child an old fashioned bash in your own backyard. For a special touch, consider hiring a magician to entertain both children and adults for the party. A magician is a great way to entertain the crowd while maintaining a unique aspect for your child’s party.
A magician is a classic way to entertain and enthrall the young and the young at heart when it comes to hosting a birthday party. If your child is interested in becoming the next Houdini, use magic as the theme for his or her party. If you are planning to hire a magician to provide entertainment for you child’s birthday party, you may need to plan ahead and book the magician’s services in advance to prevent any last minute cancellations or bookings.
If you have decided to include a magician in your child’s birthday party, call around. Ask friends, family members, or coworkers for a referral of a specific magician they have hired or seen perform in the past. Also, consider contacting your local chamber of commerce or business organization to see if there is someone offering their entertainment services for hire. You will find that word of mouth is incredibly powerful; as you can be sure the magician you hire to perform at a birthday party or any event will provide age appropriate entertainment.
Read the rest of this entry »
